In the
Comedy of Errors, Antipholus and
Dromio of Syracuse show up in the “fairy land” of Ephesus and revel in its exotic
newness. They are outsiders in this new town, a town in which it is normal to accept
spontaneous gifts of golden chains and go home with random women claiming to be
wedded wives. In this instance, Antipholus and Dromio are confronted with experiences
outside their realm of “normalcy,” and they conform to fit in.
Similarly,
my preconceptions of “normalcy” are challenged on a daily basis in Project
Lazarus. Having attended an all-girls, predominantly Caucasian Catholic
elementary and high school in the South, I have been hammered with “traditional”
ideas of “normal” relationships for the majority of my life. Boy meets girl.
Girl likes boy. They fall in love, get married, have a family. Happily ever
after. But at Project Lazarus, this “traditional normalcy” is in the minority. Project
Lazarus operates as a hub for all types of love: straight, gay, transgender,
bisexual, asexual, you name it. So, I have to adapt to this concept of
normalcy. Having grown up with a homosexual member in my immediate family,
making the leap from one concept of normal to another is not too great of a
challenge, but I am being confronted with new ways to think about the topic.
One particular challenge is the ambiguity surrounding what constitutes “proper
dialogue” when speaking about a transgender individual. What is the proper
pronoun to use? I would assume that if a biological male identifies as a
female, “she” is the correct pronoun to use, but I could be mistaken. “He,”
“she,” or the ever ambiguous pluralized “them” are the available options and
can vary from individual preference.
Another
direct cross-reference between Sir William’s works and my contemporary experience
at Project Lazarus is the issue of the state and the law. In The Merchant of Venice Shylock goes to
court and almost wins Antonio’s flesh, if it were not for the loophole about
drawing blood. Interestingly enough, the state of Louisiana has very particular
rules concerning “blood issues,” as well. In 1987, a statute was put into
motion that decreed any HIV positive individual could be prosecuted for seven
to ten years, in addition to paying a several thousand dollar fine, for the
crime of hitting, spitting, biting, or scratching an HIV negative person. The
crime in question here is “intentional exposure” to the disease. Louisiana is
classified as an “exposure state,” as opposed to a “transmission state,” in
regard to prosecuting over an HIV case. Meaning, transmission of the virus is
not even an integral factor in facing jailtime. The worst part about this
statute is the ignorance surrounding the disease. HIV is transmitted only through
semen, breast milk, blood, and vaginal fluid. Meaning, the saliva from
“spitting” (in addition to the other petty accusations) have NOTHING to do with
the virus. It is so unjust that an HIV positive individual in 2014 still
struggles against these short sights on the state’s behalf.
The disorientation that Antipholus and Dromio of Syracuse experience in Ephesus seems like an apt metaphor for your entry into an unfamiliar world where a set of norms different from those of your upbringing appears to govern. And while it certainly appears to A and D of S that Ephesus has peculiar customs, they don't perceive the situation with perfect accuracy. No Ephesian would say "Yeah, we bestow chains on people all the time; it's a cultural norm." So there's a gap between what A and D of S are experiencing and their ability to represent what is customary in Ephesus.
ReplyDeleteSimilarly, there are gaps in this post between topics and experience. Just as a critical blog post or essay would build an argument up from specific textual evidence, you need to use your actual experience to draw meaningful connections with the plays and with these other related topics.